Family and Group Music Making

 

Activities shared by the whole family are the stuff of precious memories. And creative activities, in particular, are a potent way to build a strong family or group identity. At the present time, there is an ever-growing awareness amongst parents and educators of the many extra-musical benefits of children’s involvement in music. Sadly, though, the importance of the social milieu in which music is experienced is usually overlooked. Unless children observe that their parents and teachers are also emotionally involved with the music and value it themselves, only the most dedicated will sustain motivation.

It isn’t necessary for adults to be skilled or knowledgeable musicians to enthuse youngsters, only to join them on their musical journey.

Computers have often been blamed for causing fragmentation in family life and encouraging children to spend long periods in isolation. But computers don’t have to be isolating. Today, there are many interactive applications that can simultaneously engage the interest of users with very different levels of knowledge and skill.

On The Full Pitcher website, we make suggestions for using our online music scores as the focus of activities shared by groups of mixed age and ability. The same principle is applied in our GridPlay software. One, of many examples, is the arrangement, ‘One Man Went to Mow’, on the Summer Music page. In this, the written parts are for experienced instrumentalists. However, the very simple tune of the song can be substituted for any of these parts. It is an easy song to sing and there are suggestions for involving a very young, or disabled child.

Often, lyrics and playback are available online for ensemble arrangements. When one or more members of the group plays an instrument the parts can be downloaded at very modest cost and they can play along with the online track. Our tuneful downloads for beginners on flute, clarinet, recorder, violin and cello have very simple piano accompaniments so that elementary pianists can enjoy ensemble playing from an early stage. Those parents who wish they hadn’t given up on the piano may find these arrangements a way back in!

Most music is flexibly arranged, with optional parts suitable for beginners and for the basic instruments most likely to be available. Suggestions are often made about ‘how to improvise with this piece’. Sometimes a lot of mystique surrounds the improvisation of music and people often think it requires lots of skills they couldn’t hope to have! In truth, it is a very natural thing to do. We improvise all the time in various aspects of our daily lives and music is, really no different. It has been said that all we need to improvise is ‘the courage to move from one note to the next’. What better way is there to develop the confidence and self-trust, necessary to explore,  than just ‘having a go’ and learning to improvise together in the accepting and sharing environment of the family circle?

Families with disabled members should be aware of our custom arrange & print service. We are very happy to supply custom-arranged prints to meet the needs of would-be musicians with disabilities that prevent the playing of conventional instruments, or who must play them in unconventional ways. Of course, a person doesn’t need to be disabled to play an unusual instrument!

We want our resources to be accessible for all so, if you need something different, please ask. If you simply want the music transposed to a different key, we will usually request that you purchase the standard version and then we will email you a custom part free of charge. If you want something more complicated like an arrangement for an Allcomers orchestra, we will charge a modest fee.

These are some of the places on our website to mine for family-friendly materials:

Kids’ Pages
Creative activities for parents and teachers to share with children age 3-7 (Level 1) and 8+ (level 2).

Seasonal Fun
Spring, Summer, Autumn and Christmas pages have lyrics, audio and melody parts for a seasonal selection of our Miscellaneous Scores, together with activities to share with family, friends or classmates. Downloads of ensemble arrangements can be purchased from the Miscellaneous page.

Music for Beginners
Our music downloads for beginners on flute, recorder, clarinet, violin and cello have very simple, but satisfying, piano accompaniments to enable those with elementary piano-playing skills to join the beginner in an ensemble experience, right from the start. These could be a way back in for those parents who regret abandoning the piano as teenagers, as so many do!

Miscellaneous Scores
On this page full ensemble arrangements of many pieces which feature on Kids Pages and Seasonal Fun pages will be found, as well as any other downloads for which we do not have a dedicated page.

 

Our family-friendly software:

GridPlay: Creative Explorations Level
Activities to share with younger children. No previous musical knowledge is required to start exploring. the included ebook has lots of ideas with which to get started.

GridPlay: Creative Explorations Level 2

Explore and improvise, right away. even if you do not play an instrument or read music. These grids have been used from age 8-Adult. The included ebook contains words and music for many songs, in addition to copious activity suggestions.

GridPlay for Teachers/Carers
Songs and activities to make music with friends and family, however severely disabled

 

 

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Get Creative with 2-Chord Tunes!

2-chord tunes are a wonderful resource for a creative approach to music teaching! A vast number of melodies can be harmonised with just chords I and V – folk tunes, of course, but also melodies by major composers. See the teacher notes for a classroom project based on “Carnival of Venice”, which can be downoaded from our Easy/Classroom Ensembles page. This uses classroom, or other available,  instruments and body percussion. In my software package, GridPlay: Creative Explorations Level 2, though, one of the fifteen grids (mini-apps) is IVTUNES, in which I’ve designed a self-contained resource for exploring the subject. Teacher notes in the accompanying e-book make it even easier for a non-specialist teacher to introduce a project, with suggestions for using the computer as an integrated classroom resource.

A first step to improvising and composing 2-chord melodies is aural recognition of the chord changes. In IVTUNES, I have designed a grid with which pupils can practise this skill. Words, music and chord symbols for these tunes are included in the e-book. As each tune plays back, accompaniment patterns based on the the two chords can be triggered, allowing experimentation until pupils are confident that all sounds right. Beneath each chord’s accompaniments, cells contain individual notes of the chord, stacked vertically. Pupils can use these chord tones to accompany one of the melodies. Later they can record a 2-chord backing track over which to improvise their own melodies.

 

 

 

Learn Tonic Sol-fa with GridPlay

Tonic sol-fa is a way to aural recognition of the relationship between the various notes of a scale. This supports inner hearing, singing from solfa notation and, ultimately, sight-singing from music notation. It facilitates memorisation, playing by ear and transposition, and also makes it easier to learn scales and to grasp many aspects of theory. Because it is a matter of internalising aural impressions of melodic intervals, it is extremely difficult to master it without a teacher, unless one can already read music notation sufficiently well to play the intervals on an instrument. Frequent patterning and checking of the pitches is necessary before a ready aural recognition and identification can be achieved.

Nowadays, there are few teachers in Europe and North America who teach the system to adults. Children start with just two pitches and gradually extend their range, following a developmental sequence of pitches common in the spontaneous singing of children from an early age. Adults do not have the luxury of growing up in this gradual progression and generally find it quicker to follow the stepwise movement of notes in a scale, moving on to leaps between notes of the tonic (Key) chord, and then to leaps in the primary chords built on the fourth and fifth degrees of the scale.

Several years ago, I published printed resources for  those who can already play an instrument from notation which helped some people. However, some  readers of this blog, who are not instrumentalists, would like to learn sol-fa. I have now prepared some GridPlay resources which I hope will enable them to do that. With these grids, learners will be able to check their accuracy in reproducing the intervals by playing the notes on  ‘modulators’ and ‘staves’. They can also practise playing familiar tunes ‘by ear’. They are in the treble range, since most melodic material is written in the treble clef, but they can be sung by male voices an octave lower.

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GridPlay: Learn Tonic Sol-fa will probably also prove useful for classroom teachers who are learning with their classes. Several Grids in GridPlay: Creative Explorations Level 1 (ages 3-7) are suitable for Kodaly-based classes and, as an example, I have included one, LSMRD.GRD, in this sol-fa set. If you are a teacher and would like to create resources like this yourself, or customise my grids, you can do so with MIDIgrid, the parent-program in which I authored these materials. You will find a free download of GridPlay: Learn Tonic Sol-fa at the bottom of the website Software page: GridPlay: Learn Tonic Sol-fa

Several posts on my blog deal with aspects of tonic sol-fa, so if you don’t see what you want in this post, check the ‘Category’ menu in the sidebar for more on this subject.