Functional Forums

I have long wanted to improve two-way communication with visitors to my sites and have been frustrated by the lack of feedback and by the very small amount of real communication that seems to take place online. That’s one reason why I set up this blog and I have been delighted to create new connections through it. I also wanted to further The Full Pitcher’s mission of helping those whose musical interests are not well-served in the, mainly commercially-focussed, music scene to locate the information and resources they require and to share their ideas.

I have been nervous of setting up the forums I wanted The Full Pitcher to provide because of the technical, financial and labour implications. I’m pleased to say that, after much thought and research, I have now found a, modestly-priced, hosted solution that seems to provide the features I require. I have set up my bulletin-board with several forums, matching the special interests identified by my visitors.

The forums will, of course, enable members to provide mutual support but I intend them also to be bulletin-boards in the traditional sense of a place where members can publicise their events and courses, etc. and where The Full Pitcher can post links to the specialist resources it makes available online. At present, forums are set up so that anyone can read them but only registered members of the board can post. Posts will be rigorously moderated, on a daily basis.

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Rethinking Music Notation

When Jim Plamondon left a comment on my posting, “Sol-fa, So Good!”, suggesting a visit to his site describing a new instrument he is developing, I clicked through for a quick visit. It was getting late, so I didn’t intend to stay long. Next thing I knew, though, it was well into the next day and I still hadn’t got round to reading about the new instrument!

What Jim presents on www.thumtronics.com is not just a musical instrument but a whole new system of music notation, simpler than Common Western Musical Notation and one which sweeps away the inconsistencies and consequent stumbling blocks to musical literacy.

A few years ago this would have been an alarming prospect for music educators: how could a parallel system, however pupil-friendly, be integrated into the present musical scene and with the existing mass of repertoire in standard notation? Today, developments in computer notation make it possible to transpose easily between various systems based on equal temperament. In my current score-writing software, Sibelius 4, I can present a score in standard notation, solfa pitch symbols, solfa and rhythmic notation, guitar tablature and graphic score. Perhaps, in a few years time, ThumMusic will be added to the list.

The ThumMusic system combines tonic solfa with a visual representation that is consistent across clefs and octaves. It is totally compatible with CWMN, underlining the patterns of relationships between intervals. The ‘Thummer’ is the first instrument in which the layout conforms to the pattern of intervals – the layout and fingering are the same in any key or octave. You can see how it works with an onscreen layout linked to the computer keyboard. I think this, in itself, is a great little tool for learning major and modal scales – once the pupil has learnt the fingering for C major/A minor, they can play the scale from any tonic and read off the note names. There is constant aural, visual and tactile reinforcement of pitch concepts.

Just as harpsichord, clavichord, church organ, piano, celesta and synthesizer all share the same keyboard layout but each have their own characteristic sounds, appearance, playing styles and repertoire, ThumBoards could take many forms. Although the Thummer promises to be a really simple and highly motivating instrument for the beginner, the video demonstrations show it will have considerable expressive potential in the hands of a fine musician, and bear in mind that this is a prototype instrument.

Check out this project, which could conceivably be the biggest thing to hit the musical world in a long time! I’m sure Jim Plamondon would really appreciate your feedback.

www.thumtronics.com